Bollywood movie reviews BollywoodHungama.com Movie Reviews Hollywood vs Hollywood BollywoodHungama.com News Hollywood vs Bollywood Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama latest Bollywood news latest previews of Bollywood Movie Review | Bollywood Movie Reviews | Latest Hindi Movies Reviews - Bollywood Hungama
Movie Review: Drive
Get link
Facebook
X
Pinterest
Email
Other Apps
Movie Review: Drive
DRIVE has now finally got a release, that too on an OTT platform. As a result, there’s a lot of negativity surrounding the film. So is DRIVE really as disappointing as believed? Or does it turn out to be a fine entertainer? Let’s analyse. DRIVE is the story of a group of thieves planning the biggest heist of the country. Tara (Jacqueline Fernandez) runs a courier company in Delhi and specializes in illegal transfers for criminals. She is aided in this by Bikki (Vikramjeet Virk) and Naina (Sapna Pabbi). The trio, besides indulging in street racing, are also focused on finding a thief named King (Sushant Singh Rajput). He operates alone and robs in style. After stealing, he leaves the name of the place where he would next make the heist. After robbing a jewellery store, he hints that his next target is Rashtrapati Bhavan! Irfan (Boman Irani) from the PMO gets startled on getting this information. He teams up with Vibha Singh (Vibha Chibber), director of the monetary restrictions department and his junior, Hamid (Pankaj Tripathi) in ensuring that King doesn’t come to rob what is the most secured and one of the most important institutions in the country. King however bumps into Tara, Bikki and Sapna and after he finds them trustworthy, King tells them about his real identity. At the same time, Tara also expresses her wish of robbing Rashtrapati Bhavan for a special reason. She has found out that Vibha takes a 40% cut from those on whom she initiates a raid. After getting her share, she gives the accused a clean chit. Vibha has discovered a secret chamber in Rashtrapati Bhavan where she has stashed all the unaccounted wealth. Tara wants King’s help in robbing this hidden treasure. However, the security at Rashtrapati Bhavan is unparalleled. The aim is to enter the palace, dodge the security and CCTV cameras, locate the loot and take it out of the Bhavan. What happens next forms the rest of the film. Tarun Mansukhani's story is poor and is a bhel puri of various films like RACE, DHOOM, FAST & FURIOUS, OCEAN’S ELEVEN, SAAHO and even Karan Johar’s earlier forgettable film, UNGLI. Tarun Mansukhani's screenplay doesn’t make the desired impact as it’s very difficult to comprehend. There are twists and turns every 10-15 minutes but instead of adding to the film’s charm, it ends up getting on viewers’ nerves. Tarun Mansukhani's dialogues are simple and straight forward. Tarun Mansukhani's direction is nothing great. He tries to do an Abbas-Mustan but fails miserably. The film lacks emotional touch. You don’t really root for any character as you don’t feel for them. A bit of Tara’s past is hinted at but that’s about it. A few developments are bewildering. The track of Arjun (Anuj Jain) is difficult to understand, especially how he managed to get into Tara’s gang. Surprisingly, Tara and his team don’t kick him out despite knowing that he’s an undercover officer! The flow of narrative is also fractured by two songs. Shockingly, the 'Makhna' song comes up all of a sudden. For no rhyme or reason, Tara and the gang head to Israel. No explanations given! The makers, at the most, could have added a voiceover of Tara telling her gang that they should take a break for a few days but alas! “Working with Sushant Singh Rajput was GREAT, You…”: Sapna Pabbi | Drive | Jacqueline DRIVE starts on a fair note. The beginning scene instantly reminds of FAST & FURIOUS’s street racing scenes. But there’s a nice surprise as one expects the winning driver of the race to be Sushant. Instead, it’s Jacqueline who emerges from the car. The way King hoodwinks Tara’s men at the jewellery store and how he gets the seized car back from the cop also keeps the interest going. The trouble starts soon enough as the film gets too complicated or too unconvincing. The second half is focused on the gang trying to rob the treasure from Rashtrapati Bhavan. The manner in which they easily get access to the place is very hard to believe. Also, the various twists and turns instead of impressing viewers end up confusing them. A lot of questions remain unanswered till the very end. Sushant Singh Rajput fails to give his best. In scenes where he is supposed to give the see-I-am-so-smart cool smile, he ends up looking quite awkward. Jacqueline Fernandez in fact is much better. She looks convincing as the leader of the gang. Moreover, she also exudes considerable oomph. Vikramjeet Virk does well, as per his character requirement. Sapna Pabbi has a great screen presence and acts well. Boman Irani is dependable as always. Pankaj Tripathi is apt for the part and even raises few laughs. Vibha Chibber suits the character. Same goes for Kaustubh Kumar (Raj). Anuj Jain is hardly there. Major Bikramjeet Kanwarpal (Inspector Rathore) is decent. Music suits the mood of the film but doesn’t have a shelf life. 'Karma', played in the opening credits, is the best of the lot. 'Makhna' is forced into the film. Same goes for 'Prem Pujari'. 'Black Car' and 'Tu Jaanta Nahi' are relegated to the background and are forgettable. Qaran's background score is stylish. Vishal Sinha's cinematography is sans complaints. But in the Israel scene, the lensman should have captured the beauty rather than just going for BTS-style camerawork. Parichit Paralkar's production design is quite good. He had a challenging task at hand as he had to ensure that the sets resemble the various rooms and chambers of Rashtrapati Bhavan. In that regard, he succeeds in most parts. Fluiidmask Studios' VFX, however, is very tacky and fake. Stefan Richter and Vikram Dahiya's action is nothing great. The film ideally should have had more in the name of action other than just car chase scenes. Samidha Wangnoo's costumes are very rich and appealing, especially the ones worn by Jacqueline and Sapna. Tarun Mansukhani's editing is average. On the whole, DRIVE gives a déjà vu of many other films in this genre and fails to impress on account of confusing and unconvincing plot. Avoidable
from BollywoodHungama.com Movie Reviews https://ift.tt/2JGh6AA
This one is an uncommon rooftop wedding. Actor Ashutosh Kaushik, who was the winner of Bigg Boss 2 and also won the 5th edition of MTV Roadies, got married amid the national lock-down. The rather simple marriage ceremony took place on the terrace of his Noida residence, in the presence of only four people. The wedding was scheduled on April 26 for a while now. Speaking to a publication, Ashutosh called it a memorable day. He revealed that his mother and sister attended the wedding on his behalf, and two members from his wife Arpita's family were also present. He added that the money that was kept aside for his wedding ceremony will be donated to the PM-Cares fund to help the Government fight the Covid-19 pandemic. View this post on Instagram A post shared by Ashutosh Kaushik (@ashutoshkaushik_bigg_boss_2) on Apr 27, 2020 at 9:49pm PDT Ashutosh has been a part of films like Zila Ghaziabad and Kismat Love Paisa Dilli in the past.
As the search continues for former Taarak Mehta Ka Ooltah Chashmah actor Gurucharan Singh, also known as Sodhi, who went missing over two weeks ago, new details emerge regarding his financial circumstances. According to a report by NDTV, Singh was managing multiple bank accounts for financial transactions, despite reportedly experiencing severe financial difficulties. Delhi Police's investigation into the matter has uncovered Singh's frequent use of credit cards, with sources indicating that he maintained over 10 bank accounts for his financial activities. Sources within the police department reveal that Gurucharan Singh, amid financial constraints, relied heavily on credit cards and conducted transactions across numerous bank accounts. It is reported that Singh resorted to withdrawing cash and using credit cards to settle balances, indicating a complex financial situation. The investigation further discloses that Singh withdrew a sum of Rs. 14,000 from an ATM before his disap
Amidst much anticipation, Prabhas, the renowned actor from the south, steps into the realm of Vishnu Manchu's ambitious project, Kannappa. His addition to the ensemble cast, which already boasts the likes of Akshay Kumar, Mohan Babu, Mohanlal, and Brahmanandam, amplifying the film's Pan-Indian appeal and magnitude. Directed by Mukesh Kumar Singh, Kannappa intricately weaves the tale of Bhakta Kannappa's unwavering devotion to Lord Shiva, promising a cinematic journey of epic proportions. Vishnu Manchu, the visionary behind Kannappa, expresses his delight at Prabhas's involvement, highlighting the actor's dedication and versatility. He remarked, “With my dear friend Prabhas onboard, Kannappa emerges as a true Pan-Indian magnum opus, uniting stars from diverse linguistic backgrounds.” The synergy between Prabhas, Akshay Kumar, and Mohanlal reinforces the film's status as a cultural phenomenon transcending regional boundaries, promising a cinematic experience lik
Comments
Post a Comment